By Louis Jagger

Over the last few months, an unusual website has attracted thousands of viewers to discover more about one of the world’s most beautiful birds - the barn owl.

The website, Sportsman’s Paradise Online, has set up a live internet feed inside a barn owl nesting box. Viewers have watched the chicks grow from indiscriminately cute bundles of open-mouthed hunger into their current, almost fully-fledged state.

A barn owl

Another section of the website offers information about barn owls and the testimony of those who set up the camera, in San Marcos, California. Given the 59.000 Facebook shares, 4,000+ comments and 1,195 retweets, it’s safe to say that these owls have touched internet viewers in a way that few organised nature documentaries could have done.

And this nest isn’t the only one being transmitted freely across the internet. The Franklin Institute Hawk Nest cam is currently broadcasting on Ustream with a very young brood of red-tailed hawk chicks, a live chatbox full of enthused bird-lovers, and that all-important link containing more information about The Franklin Institute and its nest-observing project.

Quite what it is about birds of prey which so captures the imagination is up for debate, but on cuteness alone these unwitting internet superstars could charm their way into anyone’s precious internet routine. One might argue that this is an invasion of privacy, but as the birds are unaware of the camera, and grow up normally, it ought to be seen as an opportunity for regular people with a passing ornithological interest to inform and educate themselves upon the mysteries of avian youth. The joy of watching a helpless ball of down grow into a powerful, ruthless winged predator, live on your laptop screen, is a unique experience to say in the least.

And if you’re especially interested in this on-demand nature-viewing, the Sportsman’s Paradise Online site has a link to several other live wildlife cameras you can explore

By Paul Rodgers

“What do you think the impact of the internet will be?” asked the editor of New Scientist during a job interview I had there in the mid-1990s. It was my cue to expound on Marshall McLuhan’s theories about “the media is the message” and my own about how the internet would change the way we work. When I paused for breath, the editor said: “It’s just a fad.” So much for that job.

It isn’t a fad, and it has changed the way we work. This was drilled home today (18 May ’10) in a seminar with blogger Ed Yong, author of Not Exactly Rocket Science. Yong was talking about the use of links and their importance in modern journalism, providing transparency and ensuring accuracy. It got me thinking.

Ed Yong: Not hyperlinking produces a strawman fallacy. Picture credit: The people from the Tango! Project

When I started as a journalist, almost all of the information that went into my stories came from interviewing people, with perhaps a bit of background from the cuttings file (a physical folder with cut out bits of the newspaper stuck to sheets of A4). Of the information I collected during a day, I would discard 80 per cent because it was irrelevant, repeated or just didn’t fit the story I was writing.

Now when I start to work on a story, my first stop is Google, and I’m quickly wallowing in thousands of times as much information as I could possibly use. Gathering information is easier, filtering it harder. When you’re interviewing someone, you can ask specific questions and interrupt them if they meander. If you get much of your information online, you have to be good at refining your search terms, fast at skim reading or both.

Among other techniques I’ve tried to manage this flood with are printing out documents and using a highlighter or copying long web pages into Word so that I can search them for keywords. But I almost invariably end up with a couple of dozen tabs open on my desktop by the time I start writing. Wading through all this material leaves me less time to write, and less time to check.

The last piece I co-wrote, about the WHO reaction to swine flu, was almost immediately attacked online by Gimpy for not providing evidence to back up its assertions. My initial reaction to this was: “Tough, it’s a newspaper article not an academic journal. We don’t do footnotes and we don’t have the blogger’s luxury of links. And we’re under much greater pressure to make our body text interesting.”

But then Yong chose an Indy story to illustrate his point about old-journalism’s lack of links. Tim Luckhurst began his piece by setting out his unnamed opponents’ argument. I saw this as a rhetorical device, common among the commentariat. Yong saw it as a straw man fallacy. Either way, it was weaker than if the writer had been specific.

What hit me, though, was that the piece Yong showed us was the online version. So was the version of the WHO article attacked by Gimpy. Why don’t the web versions of these articles have links? One of my fellow students said that at the Financial Times, where he’s doing an internship, all stories are written as if for the internet, with links. This makes sense.

I’ve resolved that from now on this is how I’m going to work too, even for stories that never make it online. It will at least help me deal with the flood, if not the critics.

By Aine Gormley

The Digital Economy Act (DEA), which will come into effect over the next 12 months, will make the targeting of internet users who breach copyright laws more likely. But flaws in technology that allow criminals to hijack Internet connections may wrongly force service suspensions and fines on innocent users.

Currently, it is the copyright holders who must uncover the identity of those who breach their copyrights. If a user offers a song or film for free, through peer-to-peer file sharing, the unique address of their Internet connection, or Internet provider (IP) address, is visible. The copyright holders then have to obtain a court order for the Internet service provider (ISP) to identify the customer.

A peer-to-peer system of nodes

Under the DEA, an ISP must issue warning letters to suspected infringers, suspend Internet connection to repeat infringers, and may be criminally liable to a maximum of £50,000.

BitTorrent, one of the most common peer-to-peer file sharing protocols, said: “As a result [of the DEA] everybody will have to stop online sharing, providing the entertainment industry with the possibility to net billions.”

Andrew Heaney, telecommunications provider TalkTalk’s director of strategy, said: “What the Digital Economy Bill proposes is to place a burden of responsibility on the person owning the internet connection.”

Despite the fact that often more than one person uses the same IP address; the most computer savvy copyright thieves can cover their tracks by hijacking other connections. This has wrongly identified hundreds of people, according to Deborah Prince, the head of Legal Affairs at Which?, a consumer advocacy organisation.

File sharing has become a serious problem for the music and film industry. The new act will ensure the ISP takes responsibility to stop copyright theft, and aims to stimulate the UK’s digital economy. Thus 189 out of 236 MPs passed the bill on 8 April .

It has been dubbed as the right idea, but wrong approach. “You have to prove it wasn’t you who pirated that film, otherwise you risk being disconnected,” Heaney told the Guardian.

Prince added, “We urge the estimated five million people in the UK who have unsecured wireless networks to secure their connections immediately. This will stop them from being wrongly blamed for any illegal activity.”